The interface provided a game-like atmosphere in which players could be free to experiment. FL Studio was built by a game designer, for a generation who were au faix with games, not necessarily audio production. Perhaps the Playstation connection is prescient. Many producers, like dubstep pioneers Benga and Skream, took the logical leap from Music Creation For The Playstation to FruityLoops in their teens.” “ In the UK, grime and dubstep were practically born out of the software. Genius has this to say about its influence in the UK:
The speed at which beats and layers can come together in FL Studio has long since attracted the likes of Martin Garrix, the late Avicii and was once favoured by Flume. The ready availability of the software compared to expensive hardware meant that it spread like wildfire through a new generation of digital-native hip-hop artists.ĮDM artists have historically been attracted to the allure of the FL Studio workflow. In 2007, Soulja Boy cranked out Crank Thaton his copy of the program, making him a global star. FL Studio has historically been favoured by hip-hop and EDM beatmakers. Of course, it’s the players that make the platform. Plus, there’s an incredible mobile app that has a lot of these features in a portable package. Everyone will have their preferences in the DAW wars, but FL Studio has evolved into a platform that can do everything the others can. Other features that users can take for granted now include audio recording, including intuitive punch-ins and punch-outs, extensive automation, flexible MIDI and audio clip management.
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